A critic’s quandary: Why did I give blueprint-reliant ‘Mary Poppins Returns’ a pass but not ‘Star Wars: The Force Awakens’?

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Let me start by saying I had one of my all-time favorite Christmases ever in 2018, in part because it was my first full-on Jewish Christmas.

That’s right. It finally happened for me, people.

After years of being an honorary Jew (by way of marriage), and hearing tales of casual Christmas Days spent eating Chinese food and going to a movie theater – two things, by the way, that would absolutely be included in the Jenn McKee version of “My Favorite Things” (though I rarely get to do either) – my time had come.

At long last, I noshed on takeout kung pao chicken with the fam (plus my mother-in-law) and watched “Mary Poppins Returns” from the vantage point of a comfy cinema recliner.

It was heaven.

Including the movie itself, which utterly charmed me, despite its song-for-song replication of the 1964 original film, “Mary Poppins.” I mean, it’s not subtle. At one point, I remember thinking, “Oh, a big production number with the leeries should be coming up, since this is about where the chimney sweeps go full-out via ‘Step in Time.’”

And sure enough, the opening notes of “Trip a Little Light Fantastic” soon sounded. Continue reading

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